Glossary: Performance Art
Performance Art
Artworks that are created through actions performed by the artist or other participants, which may be live or recorded, spontaneous or scripted.
Throughout the twentieth century performance was often seen as a non-traditional way of making art. Live-ness, physical movement and impermanence offered artists alternatives to the static permanence of painting and sculpture.
More recently, performance has been understood as a way of engaging directly with social reality, the specifics of space and the politics of identity. In 2016, theorist Jonah Westerman remarked ‘performance is not (and never was) a medium, not something that an artwork can be but rather a set of questions and concerns about how art relates to people and the wider social world’. (source: https://www.tate.org.uk/art/art-terms/p/performance-art )
“..from the 1970s to the present artists like Coco Fusco, Maren Hassinger, Guillermo Gomez Pena, Dred Scott, James Luna, Senga Nengudi, Maria Marmolejo, Carrie Mae Weems, Ana Mendieta, and David Hammons, among countless others, have used performance art to unpack the violence of colonialism, imagine the possibilities of liberation, womanism, feminism, or to stage revisionist histories. Their performances, a diverse collection of culturally and geographically specific staging’s, have laid the foundation for a new generation of brave performance artists to continue the work of decolonizing performance art…”
(source: https://www.blackartinamerica.com/index.php/2019/10/23/decolonizing-performance-art-phylicia-ghee-uses-ritual-performance-to-heal-the-generational-trauma-of-black-women/ )
Related Terms:
Art which uses sound both as its medium (what it is made out of) and as its subject (what it is about).
Three-dimensional art made by one of four basic processes: carving, modelling, casting, constructing.
Installation artworks (also sometimes described as ‘environments’) often occupy an entire room or gallery space that the spectator has to walk through in order to engage fully with the work of art.
An individual responsible for oversight of a collection or an exhibition.
A print is an impression made by any method involving transfer from one surface to another.
The physical material that serves as the carrier for information.
Craft is a form of making which generally produces an object that has a function: such as something you can wear, or eat or drink from.
Related Features:
Documentation from The Edenic Zone, an immersive outdoor experience manifesting a portal of rest and beauty as imagined by Zona Baari in collaboration with Casa de Coco.
One person would have a hard time trying to save the world, but they can offer a shift in vibration within the micro to positively affect the macro. My belief is there exists many realities on this planet and ultimately varying frequencies we may step in and out of.
Bone – as what is beneath the surface of self. Exists in us all, and what’s behind the mask of skin. The great equalizer. A physical resemblance of our own undeniable truth and vulnerability.
Through the process of collecting these pieces, I noticed myself tapping back into familial practices to take care of oneself. These acts were so deeply embedded into everyday life that I did not question it or even acknowledge it as a practice.
With the understanding that channeling joy is a true act of vulnerability, we voluntarily give ourselves to the motion of falling. Equipped with protection, we learn how to fall so that we know how to collapse gracefully then rise again.
La Limpieza, which translates to “cleaning” or “cleanse,” is one of three short films that exists under the project, How to Turn Poison Into a Meal. It consists of intimate moments between oneself and a shared space to witness each other's movements and sounds.
How to Turn Poison Into a Meal is the name of my Fall/Winter 2020 collection. This project is a way for me to celebrate and remember, as well as using my body as an archive, creating documentation of my ancestors and their practices of reveling in joy and resilience from a heavy existence.
… I intend to recreate.
To photograph and film familial practices that were neither documented nor celebrated, rather, shared through word of mouth and performed together habitually…
Research is a solitary practice, but a research fellowship can be a tool for community-building, and the relationships between artists and archival materials can help upend and reshape our sense of history. Special Collections at the Providence Public Library (PPL) in Providence, Rhode Island offers an annual, 6-8 month Creative Fellowship for an artist to do intensive archival research and create new work, along with an interactive public program.
Greensboro, NC based Scrapmettle Entertainment Group took a breast cancer awareness event in a historically Black neighborhood as an opportunity to explore this subject on stage.