Glossary: Art Collection
Art Collection
An accumulation of works of art by a private individual or a public institution. Art collecting has a long history, and most of the world’s art museums grew out of great private collections formed by royalty, the aristocracy, or the wealthy.
(source: https://www.britannica.com/art/art-collection)
The above image is of Brooklyn Museum’s Visible Storage ▪ Study Center. “This dense display of objects offers an inside look at how museums work and provides a glimpse of our extensive American collections. As large as our building is, just a small fraction of the permanent collections can be displayed in our gallery space. Whereas only about 350 works are on view in the adjacent American Art installation, this facility gives open access to some 2,000 of the many thousands of American objects held in storage, which are available for viewing and research by students, scholars, and the general public…
Although this is an operating storage facility, we have designed it to be welcoming and user friendly. Accompanied by informational booklets, selected “focus objects” are displayed on colored shelves, in cases, and on the painting screens. There is a searchable online database, also available in the Visible Storage ▪ Study Center.”
(source: Brooklyn Museum)
Related Terms:
The repair or stabilization of materials through chemical or physical treatment to ensure that they survive in their original form as long as possible.
An accumulation of works of art by a private individual or a public institution. Art collecting has a long history, and most of the world’s art museums grew out of great private collections formed by royalty, the aristocracy, or the wealthy. (source: https://www.britannica.com/art/art-collection)
1. A group of materials with some unifying characteristic.
2. Materials assembled by a person, organization, or repository from a variety of sources; an artificial collection.
- collections, pl. ~ 3. The holdings of a repository. (source: archivists.org)
Related Features:
Developing strong, meaningful, relationships between artists and archivists has so much potential to be fruitful for both fields. Interestingly, both art and archives have been historically undervalued in academia: artistic practice as a vehicle only for expression or reflection of issues, requiring translation by a critic or art historian to make sense of its real value (4), and archivists as “handmaidens of historians,” seen as passive intermediaries between records and the historians who interpret them (5)
Thread Library, an artwork I made for the Iowa City Public Library (ICPL) in February 2020, suggests that information is always mediated by the tactile, tangible, material, and personal. Simply put, Thread Library is a collection of thread with a card catalog, and each thread is cataloged as if it were a book.
Being an Appalachian woman, artist, and herbalist, I am committed to honoring the women in my community. The women in this series have an intimate connection to the land and a beautiful and poetic way of communicating through plants and herbal medicine.
...Voices in Collective Thought presents some of the events and popular reactions lived throughout the October 20th electoral fraud and current crisis in Bolivia. Last November, after a thirteen year long presidency and a scandalous attempt at fraud, Evo Morales stepped down from presidency.
”Against the Best Possible Sources presents the latest chapter of my ongoing project involving extensive research of the TIME, Inc. corporate archive and an investigation of the earliest history of the first professional journalistic fact-checkers, a role created by TIME in 1923 and held exclusively by women until 1971.”
“I was inspired by lectures of Dr. Darin Waters of UNCA about “collective historical memory” and as a white Ashevillian felt like it could be a learning experience that I could pass on through this work and inspire others in my community to take a look at the rich history that is in danger of becoming forgotten as our town becomes more homogenized.”
Harold Fisk’s maps of the Mississippi River’s meanders, traces and shifts over time were produced as part of a report for the Army Corps of Engineers in 1944. But where are they now?
“Quilts speak. They reveal voices from the past—specifically women’s voices. Some of these voices have long been silenced by illiteracy, exhaustion, racial oppression, and gender inequity. But if we know how to listen, we can understand what the quilts are saying. They speak of skill and power….”
The Museum of the Cherokee Indian in Cherokee, NC, Cherokee Territory, is an immensely valuable resource. The Archives has a diverse range of materials, many of which are available to be accessed online using the online catalog.
The American Library by Yinka Shonibare CBE is a celebration of the diversity of the American population. It aims to be an instigator of discovery and debate. On the spines of many of these books are, printed in gold, the names of people who immigrated, or whose antecedents immigrated to the United States. On other books are the names of African Americans who relocated or whose parents relocated out of the American South during the Great Migration.