Glossary: Collection
Collection
Noun
1. A group of materials with some unifying characteristic.
2. Materials assembled by a person, organization, or repository from a variety of sources; an artificial collection.
- collections, pl. ~ 3. The holdings of a repository. (source: archivists.org)
The resources a library owns or leases to serve the needs and aspirations of its community. (source: http://publiclibrariesonline.org/2013/10/the-evolution-of-library-collections/)
Verb
GATHER, COLLECT, ASSEMBLE, CONGREGATE mean to come or bring together into a group, mass, or unit. GATHER is the most general term for bringing or coming together from a spread-out or scattered state. a crowd quickly gathered COLLECT often implies careful selection or orderly arrangement. collected books on gardening ASSEMBLE implies an ordered union or organization of persons or things often for a definite purpose. experts assembled for a conference CONGREGATE implies a spontaneous flocking together into a crowd or huddle. congregating under a shelter. (source: Merriam-Webster)
Related Terms:
The repair or stabilization of materials through chemical or physical treatment to ensure that they survive in their original form as long as possible.
An accumulation of works of art by a private individual or a public institution. Art collecting has a long history, and most of the world’s art museums grew out of great private collections formed by royalty, the aristocracy, or the wealthy. (source: https://www.britannica.com/art/art-collection)
1. A group of materials with some unifying characteristic.
2. Materials assembled by a person, organization, or repository from a variety of sources; an artificial collection.
- collections, pl. ~ 3. The holdings of a repository. (source: archivists.org)
Related Features:
Latinx customs, rituals and traditions have withstood countless transformations through their assimilation to the US and back, and the undocumented history of quinceañera practice–a journey I hold quite close to me–is still just one of the many deprived of proper accreditation.
Developing strong, meaningful, relationships between artists and archivists has so much potential to be fruitful for both fields. Interestingly, both art and archives have been historically undervalued in academia: artistic practice as a vehicle only for expression or reflection of issues, requiring translation by a critic or art historian to make sense of its real value (4), and archivists as “handmaidens of historians,” seen as passive intermediaries between records and the historians who interpret them (5)
From footage of hollering contests to oral histories of civil rights activists, Folkstreams.net is one of the most dynamic collections of independent films on the internet, containing over 100 documentaries, biopics, and performances available for free, alongside enrichment guides, transcripts, and an easily accessible list of rights information.
”As my family migrated and many others from the Diaspora did too, the camera was a way to document this broken American Dream narrative, instead, we needed to create a counter-narrative of our people, because we are not seen as American.”
Being an Appalachian woman, artist, and herbalist, I am committed to honoring the women in my community. The women in this series have an intimate connection to the land and a beautiful and poetic way of communicating through plants and herbal medicine.
...Voices in Collective Thought presents some of the events and popular reactions lived throughout the October 20th electoral fraud and current crisis in Bolivia. Last November, after a thirteen year long presidency and a scandalous attempt at fraud, Evo Morales stepped down from presidency.
”Against the Best Possible Sources presents the latest chapter of my ongoing project involving extensive research of the TIME, Inc. corporate archive and an investigation of the earliest history of the first professional journalistic fact-checkers, a role created by TIME in 1923 and held exclusively by women until 1971.”
“Social Distance (a photo project)” serves to reclaim the way we will talk about this “history-book” time. I am still actively working to broaden my scope of subjects, making sure that this project not only reflects my world as a young white person with access to financial support, but reflects the realities of those without that privilege and safety net as well. What will be the story we tell about this pandemic? How do we make sure it’s not remembered as ‘the great equalizer’, but rather, as something that is playing upon systematic inequalities that have existed for centuries?
Harold Fisk’s maps of the Mississippi River’s meanders, traces and shifts over time were produced as part of a report for the Army Corps of Engineers in 1944. But where are they now?
Experience the internet’s virtual tours + archives from home. We’ve gathered the most impressive Top 10 (in no particular order)