My experience navigating the world of digital collections… A few tips to navigating archives:
Start off with no assumptions
Documentation from The Edenic Zone, an immersive outdoor experience manifesting a portal of rest and beauty as imagined by Zona Baari in collaboration with Casa de Coco.
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One person would have a hard time trying to save the world, but they can offer a shift in vibration within the micro to positively affect the macro. My belief is there exists many realities on this planet and ultimately varying frequencies we may step in and out of.
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Bone – as what is beneath the surface of self. Exists in us all, and what’s behind the mask of skin. The great equalizer. A physical resemblance of our own undeniable truth and vulnerability.
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Through the process of collecting these pieces, I noticed myself tapping back into familial practices to take care of oneself. These acts were so deeply embedded into everyday life that I did not question it or even acknowledge it as a practice.
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With the understanding that channeling joy is a true act of vulnerability, we voluntarily give ourselves to the motion of falling. Equipped with protection, we learn how to fall so that we know how to collapse gracefully then rise again.
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La Limpieza, which translates to “cleaning” or “cleanse,” is one of three short films that exists under the project, How to Turn Poison Into a Meal. It consists of intimate moments between oneself and a shared space to witness each other's movements and sounds.
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How to Turn Poison Into a Meal is the name of my Fall/Winter 2020 collection. This project is a way for me to celebrate and remember, as well as using my body as an archive, creating documentation of my ancestors and their practices of reveling in joy and resilience from a heavy existence.
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… I intend to recreate.
To photograph and film familial practices that were neither documented nor celebrated, rather, shared through word of mouth and performed together habitually…
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As an educator who was radicalized by Black feminist and womanist literature, I have always been clear that that was my goal for SISTORIES--to provide the grounds for Black women and nonbinary femmes to adopt a politic to address the root cause of the social issues that cause them harm by seeing and writing themselves into the historical narrative of Black femmehood.
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The absence and resistance of historical context surrounding an object is an intriguing instance of sorts. Being a student of critical craft theory, my passion and research is Afro American craft history and material culture. This, combined with having a true admiration for antiquing, I have arrived at the dilemma I present to you now.
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“I was inspired by lectures of Dr. Darin Waters of UNCA about “collective historical memory” and as a white Ashevillian felt like it could be a learning experience that I could pass on through this work and inspire others in my community to take a look at the rich history that is in danger of becoming forgotten as our town becomes more homogenized.”
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My experience navigating the world of digital collections… A few tips to navigating archives:
Start off with no assumptions
It's a little past eleven in the evening on a Monday night & I guess this felt like the best time to lay out some of my thought process so far in this residency. I am not going to sit here and talk fluff, I want to be honest. I had no idea how challenging this would feel exploring this unknown world of digital archives with a trained mind that tells me I need to envision my end goal and work backwards.
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I want you take a moment and find a physical image or bring up an image in your head of your parents or grandparent. Now I want you to think about a story you were told about your family or those that came before you.
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