Glossary: Archive
Archive
Traditionally an archive is a store of documents or artifacts of a purely documentary nature. (source: https://www.tate.org.uk/art/art-terms/a/archive )
To transfer records from the individual or office of creation to a repository authorized to appraise, preserve, and provide access to those records. (source: https://dictionary.archivists.org/entry/archive.html )
Any collection of documents and records that gives us insight into the history and nature of its subject. When it comes to archives of art and artists, these typically include sketches, drawings, clippings, and any preparatory materials for a final work of art. (source: https://www.khanacademy.org/partner-content/tate/archives-memory/what-is-an-archive/a/what-is-an-archive )
Related Terms:
a professional with expertise in the management of records of enduring value
Community-based archives are defined as collections of materials gathered, collected, and shared primarily by members of a marginalized community to document their collective histories.
"quotations" and / or / not "quotations" + * or for "everything”
The division within an organization responsible for maintaining the organization's records of enduring value.
Traditionally an archive is a store of documents or artifacts of a purely documentary nature
Related Features:
As an educator who was radicalized by Black feminist and womanist literature, I have always been clear that that was my goal for SISTORIES--to provide the grounds for Black women and nonbinary femmes to adopt a politic to address the root cause of the social issues that cause them harm by seeing and writing themselves into the historical narrative of Black femmehood.
Memorial for Queer Rhyolite, a temporary monument to dreams in the dust is a public work originally installed for the inaugural Bullfrog Biennial at the Goldwell Open Air Museum in October 2019. The piece memorializes a 1980s dream to establish “Stonewall Park,” a gay utopian effort aimed for Rhyolite, NV, a piece of deserted mining country that lies between Death Valley National Park and the Nevada Test Site.
Developing strong, meaningful, relationships between artists and archivists has so much potential to be fruitful for both fields. Interestingly, both art and archives have been historically undervalued in academia: artistic practice as a vehicle only for expression or reflection of issues, requiring translation by a critic or art historian to make sense of its real value (4), and archivists as “handmaidens of historians,” seen as passive intermediaries between records and the historians who interpret them (5)
”Against the Best Possible Sources presents the latest chapter of my ongoing project involving extensive research of the TIME, Inc. corporate archive and an investigation of the earliest history of the first professional journalistic fact-checkers, a role created by TIME in 1923 and held exclusively by women until 1971.”
During my visit to One Archives in LA last summer, I found a wide range of materials across lines of class, sexuality, gender expression, and race, however there are still gaps in representation: there is less working class material and the collection still favours big coastal cities.
Harold Fisk’s maps of the Mississippi River’s meanders, traces and shifts over time were produced as part of a report for the Army Corps of Engineers in 1944. But where are they now?
In ‘Notes From Metropolis’ by Christopher Lineberry, the artist uncovers information at the North Carolina State Archives about the 1957 Greensboro "Morals Trial."
Artist Furen Dai’s How Race Was Made? (2019) extracts language (relevant to today’s discourse) from Census archives from 1790 to 2010, dating back to its institutional inception.